03-21-14 Light, Lines, Color and Space (HDR)

Office Peeps provided the furniture and the designers of the Student Center at Lake Area Technical Institute provided the rest.

One of my projects this winter has been to take photos of some of the striking spaces and striking decor in the new Student Center at Lake Area Technical Institute in Watertown, South Dakota. The furniture, as I think I’ve mentioned somewhere else, was supplied by Office Peeps, an office and design store in Watertown.

It has been a fun job, especially on this day because I was being helped by two of our program’s photography students – Andy Olson and Stephanie Weinreis.

Technical Stuff: This is an HDR photo that consists of 9 separate exposures so most everything is exposured right, including the shadows under the furniture. The ceiling lights are the only thing that seems overexposed, though the result of this on some of the lights is an interesting star effect. You might think I did this on purpose because I think of everything. Nope. I’m just lucky.

Canon 5DIII 1/8s f/4.0 ISO200 19mm (Camranger used for HDR bracketing)

03-20-14 Cabin In the Woods On A Snowy Day (HDR)

A March snow storm in the Black Hills provides a picture perfect covering for houses and trees.

This home is called “Standing Rock” by its owners, Lorin and Mary B, though the huge rock that is its namesake isn’t present in this photo. Their home isn’t too far from our cabin and on one of my recent visits to the Black Hills, a March snow storm offered many good photo opportunities, including this one.

This photo, incidentally, is the result of what I call “road hunting.” I get in my truck with my camera ready and drive slowly, looking for interesting subjects and scenes. I usually get out of the truck to get the photo but on this one I just rolled down the window and braced my lens and camera on the window frame to capture the HDR sequence. Lazy? I don’t think so – I was just trying to keep my equipment out of the wet, spring snow.

Canon 1/4000s f/2.8 ISO250 70mm

 

03-19-14 Prairie Skyscraper (HDR)

The stark, white Farmer’s Elevator Company grain elevator in Miranda, SD, can be for miles in every direction.

Sometimes I struggle with the titles of my posts in “A Photo A Day” as I did with this one. “Sky scraper” seems so quaint and archaic, just as the phrase “Super Highway” does. Both come from the 20th century when high buildings and four-lane roads were marvelous things.

Well, the Miranda elevator has always been and still is marvelous to me. Painted in pure white, it stands out against the sky. It can be seen for miles and in a landscape that some might say is flat and plain, it breaks the redundancy.*

I did a quick search for the Farmers Elevator Company of Miranda and found that it was mentioned in a 1915 publication called The American Cooperative Journal – Volume 11. I’d like to know more about Miranda and it’s grain elevator.

Is there any chance that someone reading this might be able to help?

Canon 5DIII f/2.8 ISO160 70mm

*Speaking of redundancy, some may have already noticed the compositional similarities between today’s post and yesterday’s. Intentional? Accidental? Or both? I won’t say.

03-18-14 The Great Wide Open (HDR)

There is something about blue skies, puffy clouds and a cluster of distant trees that makes me pull over and get my camera and tripod out.

Yesterday’s post set a record for the number of words in one of my 2014 entries. So today I will let the photo speak for itself. This was taken a few miles west of Faulkton, SD.

Canon 5DIII 1/400s f/14.0 ISO160 21mm

03-17-14 Relic

Scattered throughout parts of western South Dakota nuclear missiles waited quietly for their launch instructions.

I apologize for the history lesson today (but I am a former history teacher.)

South Dakota’s Cold War With the USSR

At the height of the Cold War, South Dakota was one of the ten most dangerous places to live in the event of a nuclear war. This wasn’t because South Dakotans were particularly threatening to the Soviet Union. Instead, it was because western South Dakota and Ellsworth Air Force Base were home to a branch of the Strategic Air Command. The B52 and the B1B* bombers that were operated by SAC were capable of carrying nuclear bombs to virtually any target in the world.

Western South Dakota was also home to around 200 Minuteman Missile silos. Each one of these missiles had a range of around 6000 miles and carried a 1.2 megaton bomb – that’s a weapon that was 60 times more powerful than the bomb that destroyed Hiroshima. The targets would have had 30 minutes from launch to strike to prepare.

A Lightning Rod Can Be A Dangerous Thing

The missiles were housed in underground silos that were scattered in “missile fields” over large tracts of sparsely populated farm and ranch land. The missile silos were easy to miss but there were road signs. But the signs were in a sort of code and they were intended for the missile flight maintenance crews, not citizens like me. Of course, the Russians knew where the missiles were located and each one might have been a likely target for a missile strike from the USSR. Some experts have referred to the silos as “lightning rods.” The paradox of the lighting rod is that in order to protect a building from lightning, you make it more attractive to a strike. (If missiles had fallen on western South Dakota, the people, cattle and crops would have been deemed “acceptable losses.”)

Most of the road side markers for missile silos have disappeared over the years. They were taken,  I’m guessing, by souvenir hunters. So it was with surprise that I discovered the relic pictured in today’s post.

What the Sign Means

I’ll translate the sign post: Turn left and you will find two missile silos somewhere down that road; turn right (which I did) and you will find two more. These four missiles would have been capable of wreaking havoc on Russian cities the size of Los Angeles, Denver, Chicago and New York.

With one exception, the missiles were removed and decommissioned in the 1990s. The missile silos were imploded and handed back to the farmers and ranchers. In some cases the fencing has disappeared, but in the case of H6, even the corresponding signage still exists.

The Person in the Brown Uniform Will Show You A Nuclear Missile

The one nuclear missile silo and maintenance facility* that has been preserved in South Dakota is called Delta-09 (D9) and it is now maintained by the National Park Service. I’ve never been there but it’s on my list of South Dakota landmarks to visit.

So ends the history lesson. . . .

Canon 5DIII 1/8000s f/2.8 ISO200 200mm

*The B1B bombers are still at Ellsworth. I can’t tell you if there would carry nuclear bombs. Maybe a read could?

**Not all of the 200 silos had a maintenance facility like D9. The missiles were grouped in 16 clusters, each with a remote launch facility like D9.

03-16-14 Bucolic

Tiny cattle inhabit a bucolic western South Dakota river valley.

So 15 minutes after capturing “Knee Deep,” and roughly 30 minutes after “Beyond Wasta,” I came across this vista, which is looking northeast over the Belle Fourche River valley. The size of the cattle gives a bit of scale to this scene. It was windy and a bit cool when I got out of my truck to set up my tripod (this is an HDR sequence). But when I look at this photo, I feel a sense of silence and peacefulness. And if cattle can feel contentedness, I’d guess they’d feel it here

“Why black and white?” you ask. I didn’t like the quality of the color in the scene and I also felt it distracted from seeing all of the shapes, lines and contours. Finally, I like the way black and white makes the cattle and their shadows stand out from the pasture land that they have chosen to picnic on.

Canon 5DIII 1/60s f/14.0 ISO100 182mm

03-15-14 Knee Deep

Withered sunflowers wait for the winter ice to melt.

2014 03-15 Ankle Deep by Watertown, South Dakota, photographer Scott Shephard
2014 03-15 Ankle Deep by Watertown, South Dakota, photographer Scott Shephard

Twelve minutes after I took the photo you saw yesterday, the road dipped through a low spot where sunflowers that hadn’t gotten harvested last fall stood in frozen water. I had almost driven past when I stopped, backed up about 1/4 mile and studied these sunflowers. The dark blue color of the ice, the orange tones of the heads and the way the sunflower stalks were reflected in the ice are what stopped me. I probably took 15 photos but this one ended up being the “keeper.”

You may think it strange of me to anthropomorphize* sunflowers. But to me, they look like crowds of frail, old people standing with drooping heads. And, more than that, I am struck by the juxtaposition** that sunflowers represent: they are one of the most beautiful South Dakota crops in their prime but one of the homeliest just before harvest. Is there some kind of metaphor here about you and me? Who knows. I just hope I never have to stand in frozen water. . . .

*Polysyllabic word #1!
**Polysyllabic word #2!

03-14-14 Beyond Wasta, SD

What do you find when you turn north off of the interstate at Wasta, SD?

By Scott Shephard

2014 03-14 Beyond Wasta by Watertown, South Dakota, photographer Scott Shephard

Wasta, SD, is a a very small town along I-90 in the western part of our state. Perhaps it is best known for the rest stops that are near the town. And on a busy summer day, I would guess that the population of the interstate rest stops is greater than that of Wasta.

Besides the rest areas, Wasta has caught my attention for two other reasons. The first is the Cheyenne River, which flows under the interstate, near the rest stops and by the city. The Cheyenne was once a great river that carved a fairly broad valley as it made its way to the Missouri River, which divides our state into what we call “West River” and “East River.” These days, the river is often just a brown stream. And the paradox of a relative trickle flowing through and expansive valley fascinates me.

The other thing about Wasta is that if you look north as you pass by interstate exit, there is a road that rises above the town in an intriguing curve and then disappears. Two days ago, I had driven a few miles east of Wasta when I thought, “Why not?” I found a turn-around, exited at Wasta and headed up the hill and a journey that took me places I had never been before.

Today’s photo is the first one I took on my backroads travels. Some might find this scene a little too colorless, but to me, that’s where the beauty lies. I’ll be posting more of my travels this past week over the next few days.

(In case you’re curious, here’s the route I took home from the cabin. The normal, fastest route to the cabin is about 320 miles. This path home covered 470 miles. So I only went out of my way by 150 miles. It was worth it.)

IMG_6259
IMG_6259

03-09-14 A Return To the Beginning (HDR)

As with so much I photography, I have been here before. But I’m seeing a slightly different world. . . 

By Scott Shephard

image

Earlier today I was wondering why I return to the same places again and again to take photographs and it occurred to me that it’s not just about a rut I’m in or just about the comfort of being in familiar places. Instead, it hit me that it is about practice. I go back to places I’ve photographed with new ideas and techniques to see if I can photograph something I haven’t seen before.

And so today’s post is about a return to a place that I’ve been before. The place is “The Rock” and my very first post to “A Photo A Day” was a view looking west from the Rock. And this photo shows roughly the same view.

There are many differences. One is the nature of light, of course. But another is the technique. This photo is an HDR composite of 9 exposures. Is is better that the one from 2009? I can’t say. But I like it. And, more than that, I like being in the Black Hills again. On The Rock. With my camera.

03-04-14 Sleeping On the Job

I’m not sleeping now and I’m not really sleeping in the photo, either. I was at Lake Area Technical Institute working on a project for Office Peeps, a local office solutions retailer, and decided it might be a good time to get a self portrait. Also, I was using Camranger to remotely control my camera so it was convenient to get myself in a photo. (If you look closely at the iPad on the floor, you will see the same photo you see here because I can get a live view on my IOS device with Camranger.)

For those who are regular readers of my blog, you might see the humor in the title, given that my last post for “A Photo A Day” was on the 17th of February. Have I been sleeping too much? No. Have I been traveling? No. Did my wireless connection quit? No. Do I have a good excuse. Maybe.

I have been working on projects and, significantly, I have been working on a new web site, which you are apparently looking at right now. Thanks for visiting. (How about subscribing to new posts on both my “Learn” and “A Photo A Day” pages here at Scott Shephard Photography? Just fill in the little box on the right.)

Will “A Photo A Day” as you know it disappear? No doubt. When? There is much doubt.

And, yes, four external links is way too much for the average viewer. But you’re better than average, aren’t you? Check out some of the LATI Office Peeps project photos here.